Testimonials

Vincent Muller : “Clown in A Corn Feild”, “The Irrational”, “Riverdale”, “Watson”

“Whenever I come to class, I feel so inspired to improve and do my best because of the immense support I receive from Sophie. I notice how she appreciates the uniqueness of each actor and understands how to develop each one in a detailed and meticulous way. The sole focus of each class is to better the actor’s art and craft.
I wouldn’t be even close to where I am without her”

Christie Burke: “The Ark”, “Billy the Kid”, “Black Fly”

“Sophia Hirt is an incredible working actor whose search for the truth of a moment is unmatched. She gives you the tools to make you a freer actor, and better human being. It’s an amazing experience to discover how vast you are in so many ways. Sophia opened my eyes to aspects of myself that I had long forgotten, aspects that I need as an actor to be the best I can be. She’s an expert in navigating and guiding people through their emotions, and the work is always immensely enrich. In private coaching, She gives you the confidence to be “you” while showing you how to arrange yourself to serve character and story best. Her guidance is invaluable and is the direct reason I’ve booked numerous self tapes. I highly recommend this incredible teacher, this amazing studio, and this path if you aspire to be a true artist. This is where you come for truth.”

Shaughnessy Redden: “Blue Skies”, “Mixed Baggage”, “

I’ve been working with Sophia Hirt for over 10 years, and in that time she’s had a huge impact on my craft. From Meisner training to character and scene work, she brings a rare mix of empathy, intensity, and intelligence to every session. Sophia is a true force- whether she’s on stage, on screen, or guiding actors in the classroom. And always my go to sounding board when I book a role.

Heidi Damayo: Theatre Calgary “Streetcar Named Desire” Arts Club Vancouver “LEAP”

“I began taking Sophia’s class to loosen my grip on controlling my performance, and become more capable of listening and behaving. I found myself often surprised by my behaviour and less conscious of my choices, which allowed me a greater spontaneity and freedom in my work. They also help with my presence and empathy as a person. I think of her Meisner classes as a sort of meditation, a practice in getting out of your head and being with the person in front of you – an invaluable skill both on stage and off. Even if I quit the industry, I would keep taking these classes to learn and grow in artistic and spiritual dimensions.

Sophia’s passion and devotion to her craft and her students is hard to come by. She takes each one seriously, no matter their skill or experience level, and she will pull you back into love and devotion for the art, even when you’re feeling jaded or overwhelmed. Acting is a tough industry, but working with her in the studio reminds me of the art and craft of it, and why it is worth pursuing for its own sake.”

Rene Kassie – Anthropologist

“As an anthropologist and human rights advocate my personal exploration guided me to embrace the Meisner technique, guided by Sophia Hirt. The core principles of the Meisner technique, characterized by attentive listening and the cultivation of authentic interactions, overlaps with the foundational aspects of various research technique elements from fields of social science, enriching researcher’s adaptability in interactions with myriad circumstances. Sophia’s distinctive teaching philosophy paired with her artistic mastery, creates an environment where the Meisner technique emerges as a powerful tool for engagement and exploration of complexities of human interactions- empowering students to explore their emotional truths while maintaining autonomy. Just as the Meisner technique emphasizes acting from the heart, Sophia’s approach, imbued with kindness and depth, fosters an environment where authenticity and the courage to explore new horizons harmoniously coexist, giving rise to a thrilling voyage of discoveries.”